Image 1 of 1
Image 1 of 1
Image 1 of 1
Image 1 of 1
Frequencies of the Unbound” is an original acrylic painting — dense layers of crimson, ochre, violet, and gold beneath looping transmissions of hot pink, blue, and black, with white and flesh-toned lines cutting raw through the bottom half.
I made this during a stretch when I could hear every loop, every inherited pattern, every voice that wasn’t mine running in the background. The geometry at the top is the programming. The noise. Other people’s architecture. Then the bottom opens. The lines drip. They don’t ask permission. That’s what it looks like when you finally stop letting it run you.
This one is for the person who knows the difference between who they are and what was installed in them. Hanging this in your space is a daily declaration: the signal is mine now.
One original. No prints. No editions. This exists once.
Frequencies of the Unbound” is an original acrylic painting — dense layers of crimson, ochre, violet, and gold beneath looping transmissions of hot pink, blue, and black, with white and flesh-toned lines cutting raw through the bottom half.
I made this during a stretch when I could hear every loop, every inherited pattern, every voice that wasn’t mine running in the background. The geometry at the top is the programming. The noise. Other people’s architecture. Then the bottom opens. The lines drip. They don’t ask permission. That’s what it looks like when you finally stop letting it run you.
This one is for the person who knows the difference between who they are and what was installed in them. Hanging this in your space is a daily declaration: the signal is mine now.
One original. No prints. No editions. This exists once.
